Inside My Sketchbook- "The Tempest"

So I thought I'd give you all a little peak at my sketchbook and my design process. I just finished a design for Shakespeare's "The Tempest" for my portfolio, and since the design will not make it to the stage I thought I'd share it here. My brief was to design the show to be touring, so the set had to be flexible enough to fit into many different spaces. And was able to fit into a truck for travel. The Tempest's setting is non-descript, Shakespeare merely says ' the scene, an un-inhabited island'. 
Prospero has claimed the land and he had added his own changes to the island, in the process he has gained two servants, Ariel the sprite, and Caliban the savage. Along with his daughter, Miranda, Prospero gets his change at revenge for his undeserved banishment when the King of Naples and Prospero's brother come near the island on a boat. A magical storm ensues at Prospero's command. To learn more about the play go to wikipedia.

I once saw a play back in 2006 in high school. It was Sartre's "No Exit" and one of the first plays I saw that really interested me in terms of set design. So much so that it inspired me to create a similar see-saw effect for the beginning of the Tempest, the shipwreck scene. An excerpt on the play "No Exit" from the Hartford Current with the director of "No Exit", Jerry Mouawad,

"Mouawad sets the one-act play on a 17-square-foot platform that is on a fulcrum, buttressed by bungee chords and car shock absorbers. The angle of the stage changes as the actors move around the platform, sometimes resulting in the stage's being tilted as high as 8 feet. The angle of the non-mechanized steel platform, which can move 360 degrees, is controlled by the position of the actors.

Mouawad was inspired to set the work on such a kinetic and tippy setting after working as a young man with famed French movement master Jacques Lecoq. Mouawad says Lecoq ``opened my eyes to the physical plane of the theater: architecturally, dramaturgically, emotionally.''

Mouawad remembers a Lecoq acting exercise in which a group of performers would imagine they were on a floating plane and, as they moved around, the others would react in order to keep the plane in balance."

-The Hartford Courant by Frank Rizzo 12/10/06

from the American Repertory Theatre

I wanted to create a similar effect using a balance board, with a ball below the ship to create the tipping effect.

The sides of the boat were made of muslin stretched over frames, much like a canvas to allow light through. They were also slotted into the base of the boat to allow them to be removed so the actors could get on and off. The whole thing was on lockable trucks to allow for the set to be wheeled off and on. Below is my technical drawing and model. 

the initial sketches

       Technical Drawing done by Chloe Cornell 2014 #lfs

Wobble Boat model 1:25 Chloe Cornell 2014

Wobble Boat in motion CMC14

A rather intricate design for a very short scene. But worth it to have a problematic design idea to chew on for a while. A lot of fun to design and it would be great to see it realised. Never knew that a high school field trip would come in handy! 

Tuesday Toolbox: Stereoscope Lesson

Compass: " Ugh! It just makes me dizzy. How does it pop out at you like that?"

Pencil: "Well, I just don't believe that perspective!"

A stereoscope was an early medium for 3D technology. Whe the two seperate left and right eye images overlap with our binocular vision they form one image that seems to have depth as the horizontal position of the image seems to shift. This was an early form of home entertainment in the 1850s to the 1920s, especially for those who went on holiday around historical sites. Later this developed into the View-Master. Now we can go for the ultra-modern, the My3D app or 3D films. We are always trying to make every image hyper-real. For more information on the stereoscope go here.

The image in the stereoscope is "Farm in the Lades (House in the Garde)" by Etienne Theodore Rousseau at the Sterling and Francine Clark Art Institute.

- have you ever held out your pencil to figure out perspective?


drawing by: Chloe Cornell

Tuesday Toolbox: Sketchbook Huddle

Camera: "So, everyone clear on the game plan?"

Reflector, Light, and Boom: "Yes Boss!"

storyboard from "Question Mark"

www.chloecornell.com

Tuesday Toolbox

Pliers: "Do you think this is glam enough?"

Gold Wire: "What do you think?! I'm gold wire and I'm Fabulous!!"

Inside My Sketchbook

This sketchbook was for my project "Vanity" which started out with Dante's "Inferno" and the Seven Deadly Sins. I later moved to making a puppet representing vanity which acts as a parasite on the sinner, creating a negative influence. The design was to reflect the nature of the sin, and vanity focused on the warped perspective of perceived beauty. This project is quite old and if I were to revisit I would like to rework the puppet design as well as focus on other 'sins'. However I thought it might be interesting to revisit old sketchbooks and reveal a bit of the process of my design. These are some inspirational images the first from Dali's imaginings of Dante's work and the second focusing on the colour palette of medieval paintings particularly Bosch's work (Garden of Earthly Delights).

-these are quite old so the image sources are unknown. 

To view the finished project, "Vanity", go here..